leica 50mm apo vs noctilux
Before I moved to the Leica M9 I did not like 50mm lenses. I do appreciate that, to other folks with greater "personal perception" find such characteristics are very important. But I find it too heavy and it looks too professional and therefore too noticeable by my subjects, which usually makes them look unnatural. This is B+W’s (Schneider’s) premium slim-line filter. Eine Straßenlampe in der Nacht, die Rücklichter eines Fahrzeugs, das Gesicht eines Kindes bei Kerzenschein oder ein Spot auf der Theaterbühne erscheinen klar und ganz natürlich auf dem Bild. For Nikon mount, any of the Sigma Art 50mm (which is frankly the reason I haven't bothered with the Otus because it's smaller, lighter, has equivalent levels of resolution, is only really bettered in terms of bokeh by the Otus and has AF - see the photos here taken with a D800e and the Sigma), Nikon 50 F1.4G (this would be my choice) or Nikon 50 F1.8G would do absolutely fine for shooting street. Close shooting distance at f/2 to render bokeh. In devising what to do for this shootout, I settled on the following shooting situations to evaluate. Having said that, how is one to approach this pickle with common sense? Die äußerst geringe Schärfentiefe bei offener Blende ermöglicht Aufnahmen von unnachahmlicher Ästhetik und mit einzigartigem Bokeh. Leica-M - 50mm Noctilux vs Summilux. Leica Noctilux 0.95 Review: Disclaimer and Thanks: I am truly excited to write about this Noctilux. So if we had comparative DXOmark type data for all of these lenses you might find the D810 plus Sigma or Otus outperformed the M240 plus APO-Summicron purely by virtue of a higher resolution sensor. My favourite camera-lens setup is my nikon d810 with zeiss otus 55mm f1.4. However, I was never impressed by the rather crude bokeh of the Summilux and the depth of field was often not small enough. Is it though? Infacts, i need to get rid 1 of the 50mms (may be summilux) and replace by 35mm summilux or 90mm summicron and i need your advice. It is a completely different kettle of fish, and unless you have previous experience with an RF, no amount of reading is going to be a substitute for hand-on experience. DJI has officially entered the world of FPV (first-person-view) drones. Discussions. After a while it became my standard lens together with the 35mm Summilux Asph. (The Noctilux is useful for two circumstances: when you REALLY need that extra stop of light and when you want to take advantage of its unique rendering qualities near wide open. Leica 28mm Summilux: The Perfect Vacation Lens? So, in brief, if you don't need the extra speed, think long and hard before forking out for a Noctilux. The original F1 version is one of my favorite lenses EVER, for any camera system. Leica M Typ 240 Leica APO-Summicron-M 50mm f/2 ASPH Leica Macro-Elmar-M 90mm f/4 Fujifilm GF 110mm F2 Nikon D800E If you believe there are incorrect tags, please send us this post using our feedback form . And it's a lot less expensive. I shoot street with both Nikons and Leicas - the experience and handling is different but I find that people pretty much react the same way, for the most part... YMMV. Only then with evidentiary proof would certainty prevail in knowing if the Leica 50mm f/0.95 Noctilux-M is the best M-mount lens, or if another 50mm Leica lens is better. Re: Leica apo-summicron 50mm f2 and noctilux, Look at your lens choice and technique first. That said, faster lenses will always be at an advantage in low light situations. Sony A9 vs Techart Adapter vs Leica SL Autofocus Comparison - Part IV, Sony A9 vs Leica M10 and Leica SL - Part III, Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II, Sony A9 - First Impressions from a Leica Perspective - Part I, Leica 28mm f/1.4 Summilux vs Nikon 28mm f/1.4D - Analog Edition + Digital Epilogue, Making Sense of the Leica SL... now that the Leica M10 is here, The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution, Film Photography - A Personal Journey on a Labor of Love, Do You Really Need Modern Lenses for Film Photography? Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS, Three Versions of the Leica 50mm f/2 Summicron - APO, Elcan, and Dual Range on the Leica M10 and FujiFilm Superia Venus 800, Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A, Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA, On Body of Work, Recognition, and Justification of Work Product, Monochromatic Rendering - Comparing the Leica M10, Leica M240, Leica M246, Leica M9, Leica MM, Leica SL, and the Leica M6 + Agfa APX 400, Sony A7R Mark III - The Best Digital Camera for Image Documentation - Featuring the Sony FE 70-200mm f/2.8 GM OSS, Sony A7R Mark III vs the Nikon D850 and Canon 5DSR - Rationalizing High Resolution. In my book, seeing is believing... and if that is true, the only way to settle this discussion once and for all is with blunt force effort. The 50 Noctilux could be a suitable replacement, with an extra stop to … But I find it too heavy and it looks too professional and therefore too noticeable by my subjects, which usually … There's too much emphasis associated with owning a hyper niche lens these days. get off the bokeh kool-aid and learn to take some proper photographs, if you want inconspicuous, buy a summarit 2.5/50, Tony - sure, fair enough, the concern I had was that the test makes the DSLR lenses look weaker than they would appear in practice mounted on an actual camera. I consider the APO Summicron a specialist lens as it's for when you really, really want/need the absolute top-notch technical rendering with crispness everywhere, from center to corners. The Noctilux family (from bottom and clockwise): The very first 1966-model, the Leica Noctilux-M f/1.2 ASPH (model 11820, 1966-1975), the current 2008-model in silver, 50mm Noctilux-M ASPH f/0.95 FLE (FLoating Element, model 11667), the 50mm Noctilux-M f/1.0 with built-in hood (model 11822), and on the Leica M240 camera, the current 50mm Noctilux-M ASPH f/0.95 in black (model 11602). That is why I want to switch to Leica which to me seems far less noticeable. Focusing the 50mm Noctilux-M ASPH and 50mm Summilux-M ASPH are far more demanding. Mit einer Länge von nur 5,2 Zentimetern und einem Durchmesser von 6,1 Zentimetern fällt das lichtstarke Objektiv äußerst kompakt aus, zum Gewicht macht Leica leider keine Angabe. I never spent more time on a decision whether to buy or not, than I did with this lens. It's ridiculously sharp from F2-F4 and has about the best bokeh on any lens I've ever shot with (including the Summilux). Close shooting distance at f/0.95 to f/1.5 to render bokeh . Leica is re-issuing a lens that occupies a very special place in the company’s history. The plane is about to take off from JFK. I am still not convinced that the 50mm APO is worth its price tag, but its compact size and easy to use nature are growing on me. I have a good business as a working pro photographer and journalist, but 9150 euros was (and is) a lot of money. Buy Leica Noctilux-M 50mm f/0.95 ASPH. Leica Noctilux 50 f1 v2 lens . COPYRIGHT © 2021. Tony, one critique of the linked post (which Roger Cicala of Lensrentals has acknowledged) is that the above testing was done on a optical bench, so measures the lens performance on an absolute scale vs other lenses. The Summarit, standard Summicron, and Summilux 50s suit people, portraiture, more average photo needs better in my opinion. Has Digital Technology Ruined Black and White Photography, Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA, Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8, REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses, Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon, Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge, Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test, Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII, Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage, Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version, Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting, Comparing Image Samples - 3 Generations of 35mm Summicrons, What the Leica MD taught me what the Nikon Df should have been, Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240. If you only want one 50mm the Lux is, imo, the one to go for. This is clearly not the case. I love street photography. Street photography isn't all about resolution, contrast and background isolation. First thought is selling the Otus might be the solution here and swapping it (or supplementing it) with a more normal 50 that would be fine for the intended purpose. For someone newer to the M system I might suggest a wider angle (because it's easier to use for street) lens such as the 28 Summicron ASPH. I have a good business as a working pro photographer and journalist, but 9150 euros was (and is) a lot of money. Admittedly, faster lenses isolated the subject more with increased background blur, and older lenses were softer outside of center. Dear Leica Photographers... have you considered using a flash? Leica L-Mount ; Leica SL System ; 50mm M Apo vs SL Apo on SL2 Sign ... so I like the SL-Lux better then the APO-SL, In most cases I like the Noctilux. How […] Stopped down past f/2, you might as well have a Summicron 50. Without losing any of the perfection. This is B+W’s (Schneider’s) premium slim-line filter. I love street photography. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2500 and recommended the best. If it were a choice between keeping this lens or my husband (if I still had one) he'd be out the door in a blink of an eye. The 75mm Noctilux is walking on a thin line between being as perfect as the 50mm APO and being reckless. Now if you ask me for my opinion, most of the lenses in this shootout performed more similarly than differently. But like I said, it all depends on the eye of the beholder. Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - @ f/0.95, Leica M10 + Leica 50mm f/1.0 Noctilux-M - @ f/1, Leica M10 + Leica 50mm f/1.2 Noctilux-M ASPH - @ f/1.2, Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - @ f/1.4, Leica M10 + Leica 50mm f/1.0 Noctilux-M - @ f/1.4, Leica M10 + Leica 50mm f/1.2 Noctilux-M ASPH - @ f/1.4, Leica M10 + Leica 50mm f/1.4 Summilux-M Version I - @ f/1.4, Leica M10 + Leica 50mm f/1.4 Summilux-M Version II - @ f/1.4, Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - @ f/1.4. However, in terms of comparison of the 50mm Summilux and Apo, a direct comparison of both operating on the Leica is what the OP really needs to read (assuming he is interested in this aspect of photography).