He studied landscape architecture at Pennsylvania State College, graduating in 1942, then worked for the National Park Service and National Forest Service. According to ASLA’s Government Affairs team, from 2010 to 2015 there were 26 challenges to landscape architecture … be capitalized to property produced by the taxpayer and property acquired for resale.
He took pride in arriving at a design concept “in two or three seconds,” then, rather than developing the design through drawing, he went straight to the site. He died on November 25, 2001. For the Heap Residence in Greenwich, Connecticut, he explained, “Only those plants that have similar textures to the surrounding woods were used. Bye became a Fellow of the American Society of Landscape Architects in 1993. Bye’s work is not identifiable as part of any single historical design style but incorporates elements of abstraction, minimalism, and ecological concern.While his office undertook some public and business projects, Bye’s greatest influence was in the area of residential design. Research the requirements to become a landscape designer. In 1946, he moved to the private sector and in the early 1950s he joined landscape architect Irving C. Hermann, forming a partnership with him in Greenwich, Connecticut, which they maintained into the 1960s. He preferred the creative freedom of working with a homeowner rather than with bureaucracies.
Although he had corporate and institutional commissions, Bye preferred the creativity of residential design and produced landscapes for well-known clients such as John R. Gaines and Leonard Lauder.Bye had a lifelong interest in landscape photography, publishing two books that feature his images, Arthur Edwin Bye, Jr., known as Ed, was born in Arnhem, Holland, on August 25, 1919, and immigrated to the United States with his family as a child. Bye’s subtle designs consciously enhanced the natural form of the landscape through the addition or subtraction of existing natural features and the physical molding of earth. “The Landscape Artistry of A. E. Bye.” © 2001-2020 The Cultural Landscape Foundation, all rights reserved. This deferential aesthetic was grounded in Bye’s emphasis on the human experience of natural systems; he was pleased when visitors could not tell that the site was designed.While his designs appear simple, Bye’s descriptions of his efforts reveal his artistic hand and eye. Typical examples of corporate capitalized costs are expenses associated with constructing a fixed asset and can include materials, sales … Many landscape architects have a list of plants they use with information about planting spacing, sizes, cost, and much more. Bye spent several summers on his aunts’ estate near Oosterbeek, Holland.
With an extensive background working with builders, developers, communities, municipalities, and regulators, our planners design sites which are aesthetic, marketable, and serviceable. He was influenced by the course textbook, Graduating in 1942, Bye worked first with the National Park Service and then with the National Forest Service. With these clients and throughout his work, Bye consistently focused on nature’s processes and beauty. The Gaines residence and Gainesway Farm in Lexington, Kentucky (1974-1986) included a ha-ha wall that Bye swiftly conceptualized on an envelope, then labored onsite for two months sculpting. In our design solutions, we innately capitalize on the intrinsic value of open space and blue-green infrastructure to create landscape amenities that provide positive outcomes for communities in addition to environmental benefits. Landscape architects are artists, and the project site and surrounding area context is their canvas. That same year, the solution to a drainage problem at the Soros residence in Southampton, Long Island, led one of his designers, Peter Johnson, to create undulating grassy mounds punctuated by existing bayberries, elegantly revealing the natural process of snowmelt. He enjoyed exploring the fields and forests of both places, an avocation which he continued while a student at the George School in Pennsylvania. Bye continued to work from Greenwich until forming a second partnership with Janis Hall, a sculptor and architect who had worked with Isamu Noguchi and Skidmore, Owings & Merrill. Our experienced and innovative planners know how to capitalize on the existing features of a site in order to maximize the space and functionality of the final design. In 1965, ahead of his time, he recognized a bog on the Stein property in New England as a landscape amenity, and subtly enhanced its features. He partnered with Irving C. Herrmann in the 1950s and 60s in Rye, New York, and with artist Janis Hall from 1984 to 2001.In 1951, Bye was commissioned to design the landscape for Frank Lloyd Wright’s Reisley House in Pleasantville, New York, an important project considering the influence of Wright’s work on Bye’s thinking in college. Emulating Wright’s approach at Fallingwater, Bye limited his plant palette to native plants that thrived on site. Bye’s father was a professor of art history who taught at a number of colleges, including Swarthmore, Vassar, and Lafayette, among others. Our streetscape and transit based projects are designed with consideration given towards to be safety, livability and efficiency for people of all ages, abilities and transportation modes. Landscape Architecture Our experienced and innovative planners know how to capitalize on the existing features of a site in order to maximize the space and functionality of the final design. (20) Emeritus Landscape Architect (or Landscape Architect Emeritus)--An honorary title that may be used by a Landscape Architect who has retired from the practice of Landscape Architecture in Texas pursuant to §1052.155 of the Texas Occupations Code.