The average lifespan of a Bass logo is more than 34 years.Saul Bass designed emblematic movie posters that transformed the visuals of film advertising. During his 40-year career, Bass worked for some of Hollywood's most prominent filmmakers, including Bass designed some of the most iconic corporate logos in North America, including the He began his time in Hollywood in the 1940s, designing print advertisements for films including Bass became widely known in the film industry after creating the title sequence for For Alfred Hitchcock, Bass provided effective, memorable title sequences, inventing a new type of Bass once described his main goal for his title sequences as being to "try to reach for a simple, visual phrase that tells you what the picture is all about and evokes the essence of the story".From the mid-1960s to the late '80s, Saul and Elaine moved away from main titles to focus on filmmaking and their children. Professional Wikipedia Page Creation Services, content editing & writing Service!
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Saul Bass (/ b æ s /; May 8, 1920 – April 25, 1996) was an American graphic designer and Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos.. During his 40-year career, Bass worked for some of Hollywood's most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin …
"Fade In"...In the 1980s, Saul and Elaine were rediscovered by In a sense, all modern opening title sequences that introduce the mood or theme of a film can be seen as a legacy of the Basses' innovative work. Equally, because we still loved the process of making titles, we were happy to take it up again when asked. A grade is separated from a place in the line hierarchy of a company, it underlines the very possibility of recognizing a person (top) level without being necessarily in a management …
About this time away from title design, Saul said:Elaine and I feel we are there to serve the film and to approach the task with a sense of responsibility. Hitchcock felt uncertain about Bass's conception of the scene fearing that audiences might not accept such a stylized and quickly cut sequence. Some examples of title sequences that pay homage to Bass's graphics and animated title sequences are Bass was responsible for some of the best-remembered, most iconic logos in North America, including both the Bell Telephone logo (1969) and successor AT&T globe (1983). He is known for various self-reported claims including a childhood IQ … Krohn notes that this final transition is highly reminiscent of Bass's iris titles for Bass introduced the idea of using a montage of fast cuts and tight framing to render a violent, bloody murder as an impressionistic and nearly bloodless one. Before Bass's seminal poster for He created some of his best known posters for films directed by Selected posters by Saul Bass, and their respective dates: In an interview with film historian To convince Hitchcock that the scene would work as planned, eight days before shooting of the final shower scene, Bass used a newsreel camera and Janet Leigh's stand-in In 1974, Saul Bass made his only feature-length film as a director, the visually splendid though little-known The moving image collection of Saul Bass is held at the On May 8, 2013, Bass's 93rd birthday was celebrated by a Jennifer Bass and Pat Kirkham, Saul Bass: A Life in Film & Design, Laurence King Publishing, 2011, pg.263 Bass has the unusual credit of "visual consultant" or "pictorial consultant" on five films.